A Trane

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Wednesday, December 14, 2005

Failure

I've once heard: it is only by facing failure that one starts thinking. It is not possible to think, truly reflect, while he is only a winner. Good enough. Following this thought, we should conclude that without failure one will never be able to know himself. Hence, "failure" is "good". Moreover, "thou shalt fail" becomes the corolary. As you can see, we are trapped. If one resists failure he is obviously assuming a self-denial position. Worst, we claim a winning (imperialist, victory-driven, etc.) position. The trap's knot is actualy twofolded. First, we comply with the loser-winner dichotomy. As winning is that graceful force that leads forward, failure is that situation that pushes us back to an observing position. What is really concealed here is the insider and outsider dichotomy, being the later the award for losing the battle. Once this later move is blocked, the winning/losing dichotomy loses its grounds and receives a renewed tension. This tension reverts to the second knot in our original trap. What is to think, to reflect on one's position? Is it necessary to be outside one's position?

2 Comments:

At 6:38 PM, Blogger Aoyume said...

Neurology’s favourite term is deficit. The word denotes impairment or incapacity of neurological function. Loss of language, memory, vision, dexterity, identity and a myriad of other lacks and losses of specific functions.

For all these dysfunctions—another favourite term—we have privative words of every sort:

Aphonia, Aphemia, Aphasia, Alexia, Apraxia, Agnosia, Amnesia, Ataxia.

A word for every specific neural or mental function of which patients may find themselves deprived.

Deficit. Loss.

Everything that patients aren’t and nothing that they are.

Such language tells us nothing about an individual’s history. It conveys nothing of the person and the reality of facing disease and struggling to survive it.

To restore the human subject at the centre… The suffering, afflicted fighting human subject… We must deepen a case history to a narrative or a tale.

Only then do we have a WHO
as well as a WHAT—a patient in relation to disease—a real person.

("The Man Who Mistook His Wife For A Hat". Based on the case study by Oliver Sacks, libretto by Christopher Rawlence)

 
At 7:17 AM, Blogger Charles Kirschbaum said...

Nice! One may reappropriate his history. But should this follow a occur only upon a loss?

 

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